In the time of the "cangaceiros" in the badlands of the Northeast of Brazil, the cruel Captain Galdino Ferreira and his band abduct the schoolteacher Olívia, expecting to receive a ransom for her. However, one of his men, Teodoro, falls in love and flees with her through the arid backcountry chased by the brigands.
On the day of Pedro Boiadeiro's wedding, a band of cangaceiros who survived the Angicos massacre invade his home, then proceed to beat him up, and abuse and murder his wife. Pedro sets out to get revenge on each one.
After the proclamation of the Republic, a group of fanatics in the sertão dreamed of and fought for the restoration of the Monarchy. At that bloody time, Fabiano, a quiet boy, becomes a cangaceiro and is attacked by the police. Although wounded, he manages to take refuge on a farm where he is hidden in by Lúcia, the farmer's daughter, with whom he falls in love.
Brazil, the 1920s. The sadistic colonel Minas massacres the hometown of a famous cangaceiro (a kind of revolutionary bandit). The only survivor is a young farmer called Espedito; he is nursed back to health by a hermit who thinks he has been sent by God and therefore baptizes him the Redeemer. Espedito/The Redeemer forms his own gang of cangaceiros but doesn’t really understand what he’s doing until he befriends the proverbial European intellectual, a Dutch Oil prospector, who introduces him to important people. Espedito is hired by the Dutchman and a corrupt local governor, but then the Dutchman changes sides …
This is a remake of Brazil's first international success in the cinema world. Just as its same name predecessor was, this film is a fictional version of the story of the "cangaceiros." These were bandits who sacked towns and spread terror throughout Northeastern Brazil in the 1930s. This group of outlaws is led by Captain Galdino and his wife Maria Bonita.
A Lebanese photographer living in Brazil in the '30s manages to film the band of Lampião, a legendary Brazilian bandit.
Based on the novel by Franklin Távora, the film follows the adventures of a father and a son in 18th century Brazil.
Romantic biography of Maria Bonita, daughter of a poor farmer who was kidnapped by Lampião and became his lover.
Aroeira
Lampião, o Rei do Cangaço
'Bruce' goes to head with bandits who are terrorising and murdering villagers.
The origins of "cangaço", armed brigands in the Northeast between 1935 and 1939, interviews with some survivors of the fighting, police and outlaws movement. Interspersed with testimonials, authentic sequences of films made in 1936 by Benjamin Abraham, an Arab peddler who managed to film the famous band of Virgulino Ferreira da Silva, the "Lampião".
A docufiction film about the fall of Virgulino Ferreira da Silva, widely known as Lampião – the mythical bandit leader from the Brazilian northeast who fought the local power and put his name in history.
Zé de Julião, Muito Além do Cangaço
Fewer families were born, lived, and died in the same place. People, especially young ones, were ready for a new life, as far removed from the old one as possible. Living space was much smaller and there were few, if any, servants. Many wives were working outside the home and leisure was not to be spent doing housework, but in being out of doors as much as possible. Emphasis was on informal living and informal entertaining.
The author of this film is Mohammad Rahmati. The film tells the story of a woman who has to use drugs to carry drugs. A woman named Soheila has been sentenced to prison for committing a crime. But Soheila is pregnant and goes home with two agents on the day of her trial, She is supposed to take some drugs so that he can take them to prison, She has problems along the way.The story of the film Deformity deals with the category of drugs and their sale and purchase Drugs that endanger the lives of many people so that they can be easily transported through these people
EL SOLITARIO
A bolstering eruption of chaos and boyhood; an exploration of the human body and how it interacts with the soul.
奇情记
Samir is part of a sociable circle of acquaintances. One evening his friend Basil suddenly leaves the group and does not return. Shortly thereafter, Samir's night shift begins, he gets into a taxi, we follow him for 24 hours: It starts with a road trip through Berlin at night, one eye always on the smartphone that shows the way. The next day, while looking for Basil, Samir meets people who make him realize his dwindling existence more and more. When he realizes he can't go it alone, the mysterious Henry shows up and offers him a solution that requires sacrifice.