A Lebanese photographer living in Brazil in the '30s manages to film the band of Lampião, a legendary Brazilian bandit.
A man seeks revenge after his sister get raped by an unknown foreign, identified only by scar and a missing finger. But his payback journey is a long way and bears its surprises.
In the time of the "cangaceiros" in the badlands of the Northeast of Brazil, the cruel Captain Galdino Ferreira and his band abduct the schoolteacher Olívia, expecting to receive a ransom for her. However, one of his men, Teodoro, falls in love and flees with her through the arid backcountry chased by the brigands.
This is a remake of Brazil's first international success in the cinema world. Just as its same name predecessor was, this film is a fictional version of the story of the "cangaceiros." These were bandits who sacked towns and spread terror throughout Northeastern Brazil in the 1930s. This group of outlaws is led by Captain Galdino and his wife Maria Bonita.
Based on the novel by Franklin Távora, the film follows the adventures of a father and a son in 18th century Brazil.
Zé de Julião, Muito Além do Cangaço
The origins of "cangaço", armed brigands in the Northeast between 1935 and 1939, interviews with some survivors of the fighting, police and outlaws movement. Interspersed with testimonials, authentic sequences of films made in 1936 by Benjamin Abraham, an Arab peddler who managed to film the famous band of Virgulino Ferreira da Silva, the "Lampião".
'Bruce' goes to head with bandits who are terrorising and murdering villagers.
On the day of Pedro Boiadeiro's wedding, a band of cangaceiros who survived the Angicos massacre invade his home, then proceed to beat him up, and abuse and murder his wife. Pedro sets out to get revenge on each one.
Lampião, o Rei do Cangaço
After the proclamation of the Republic, a group of fanatics in the sertão dreamed of and fought for the restoration of the Monarchy. At that bloody time, Fabiano, a quiet boy, becomes a cangaceiro and is attacked by the police. Although wounded, he manages to take refuge on a farm where he is hidden in by Lúcia, the farmer's daughter, with whom he falls in love.
Brazil, the 1920s. The sadistic colonel Minas massacres the hometown of a famous cangaceiro (a kind of revolutionary bandit). The only survivor is a young farmer called Espedito; he is nursed back to health by a hermit who thinks he has been sent by God and therefore baptizes him the Redeemer. Espedito/The Redeemer forms his own gang of cangaceiros but doesn’t really understand what he’s doing until he befriends the proverbial European intellectual, a Dutch Oil prospector, who introduces him to important people. Espedito is hired by the Dutchman and a corrupt local governor, but then the Dutchman changes sides …
Aroeira
A docufiction film about the fall of Virgulino Ferreira da Silva, widely known as Lampião – the mythical bandit leader from the Brazilian northeast who fought the local power and put his name in history.
Manas is an insurance agent. He lives with his wife Mamata and son Shamik. Mamata is dissatisfied by her husband's outlook and dreams of bringing up her son differently. But, when Shamik grows up he starts rebelling against his mother's decisions and dominance. ~Wikipedia
Film deals with Stakhanovite movement. Old miners try to sabotage young man's plan to renew methods of getting coal.
A dark atmosphere pervades this film in true noir fashion. So does the feeling that our principals are trapped. They fight their way against economic forces and their status in life, and love might conquer all.
Rachel Strode, a young immigrant with a dark secret in her past, comes to Israel in the Fall of 1973 to volunteer in a Kibbutz and then to convert to Judaism. Soon, she realizes that the local Kibbutz members don't seem to like strangers and foreigners, and that the evening of Yom Kippur (the most important holiday for Jews), will bring danger to her and her young volunteering friends. What begins as a time of fun and the celebration of youth turns into a menacing and bloody night of terror, which will give a new meaning to Yom Kippur of 1973.
A prestigious Stockholm museum's chief art curator finds himself in times of both professional and personal crisis as he attempts to set up a controversial new exhibit.
Two lovers wait for the results of a pregnancy test.