O Último Dia de Lampião

The origins of "cangaço", armed brigands in the Northeast between 1935 and 1939, interviews with some survivors of the fighting, police and outlaws movement. Interspersed with testimonials, authentic sequences of films made in 1936 by Benjamin Abraham, an Arab peddler who managed to film the famous band of Virgulino Ferreira da Silva, the "Lampião".

Scenes from the daily life of Virgulino Ferreira da Silva—the cangaceiro leader Lampião—and his group, captured by cinematographer Benjamin Abrahão. Their survival strategies in the sertão landscape, their gestures, habits, clothing, and diet are illustrated. Proud of their status, the group's main members are shown displaying their weapons and combat skills in the caatinga. Maria Bonita and Lampião appear in moments of tension and relaxation, highlighting the harmony of the band and, above all, the rigors of life as a cangaceiro. (Cinemateca Brasileira)

Zé de Julião, Muito Além do Cangaço

Aroeira

On the day of Pedro Boiadeiro's wedding, a band of cangaceiros who survived the Angicos massacre invade his home, then proceed to beat him up, and abuse and murder his wife. Pedro sets out to get revenge on each one.

Romantic biography of Maria Bonita, daughter of a poor farmer who was kidnapped by Lampião and became his lover.

After the proclamation of the Republic, a group of fanatics in the sertão dreamed of and fought for the restoration of the Monarchy. At that bloody time, Fabiano, a quiet boy, becomes a cangaceiro and is attacked by the police. Although wounded, he manages to take refuge on a farm where he is hidden in by Lúcia, the farmer's daughter, with whom he falls in love.

'Bruce' goes to head with bandits who are terrorising and murdering villagers.

In the time of the "cangaceiros" in the badlands of the Northeast of Brazil, the cruel Captain Galdino Ferreira and his band abduct the schoolteacher Olívia, expecting to receive a ransom for her. However, one of his men, Teodoro, falls in love and flees with her through the arid backcountry chased by the brigands.

This is a remake of Brazil's first international success in the cinema world. Just as its same name predecessor was, this film is a fictional version of the story of the "cangaceiros." These were bandits who sacked towns and spread terror throughout Northeastern Brazil in the 1930s. This group of outlaws is led by Captain Galdino and his wife Maria Bonita.

Based on the novel by Franklin Távora, the film follows the adventures of a father and a son in 18th century Brazil.

Brazil, the 1920s. The sadistic colonel Minas massacres the hometown of a famous cangaceiro (a kind of revolutionary bandit). The only survivor is a young farmer called Espedito; he is nursed back to health by a hermit who thinks he has been sent by God and therefore baptizes him the Redeemer. Espedito/The Redeemer forms his own gang of cangaceiros but doesn’t really understand what he’s doing until he befriends the proverbial European intellectual, a Dutch Oil prospector, who introduces him to important people. Espedito is hired by the Dutchman and a corrupt local governor, but then the Dutchman changes sides …

A Lebanese photographer living in Brazil in the '30s manages to film the band of Lampião, a legendary Brazilian bandit.

A man seeks revenge after his sister get raped by an unknown foreign, identified only by scar and a missing finger. But his payback journey is a long way and bears its surprises.

The author of the documentary comes to the village of Tverregion, where he was not been for about 20 years. Happy memories of his childhood holidays in this village, about his friends and relatives become sad, as now there are desolation and devastation in these lovely places. The different fates of its inhabitants, who 20 years ago were carefree boys and girls, make us think that a human life depends not only on external circumstances, but also on himself, on his mood, efforts and his own outlook!

This interactive documentary recreates a time and place that only exists in the memories of Iranian Kurds who are forced to live in diaspora around the world. Many people died during the events recounted here and in the years that followed.

Details the atrocities committed by the communist authorities against the local population of Bessarabia in the years 1940-1941 and 1944-1991.

There are different ways of casting away stones and gathering stones together. The artist Felix Buch puts up his sculptures of stones in Moscow streets. Their outlines suggest human figures tensely walking somewhere and at the same time waiting for some revelation. To him this is the essence of Exodus. Once a biblical legend, the image of the Hebrew people who escaped Egyptian captivity for an uncertain future has long become a universal metaphor. The writer Lyudmila Ulitskaya believes that the Exodus theme is very important in Russia today because “the seventy years of Soviet rule were a stunning exodus from one country that had gone out of control (the Russian Empire) on to a new country that failed (the Soviet Union)”. That “exodus” remained incomplete. Felix Buch is an artist, not a philosopher. Arranging stone figures in Moscow streets becomes a sort of happening, and this film gives viewers an opportunity to take part in this artistic improvisation.

Anatoly Ganne is sixty two years old. For thirty three years he’d been in prison. During his life Ganne followed thieves' concepts: not to have any family and home - so that there was nothing to take away. Now he is settled in Moscow, got married and has a son. But Moscow authorities are trying to take away his house.

Vicky, a young Chinese mural painter, works at the Warner Bros. World construction site in Abu Dhabi. In a moment of heightened emotion, Vicky, her friends, and a filmmaker come together in a fleeting shared space, weaving dreams and imaginations. As the narrator reflects on the daily lives of Vicky and her friends, she strives to unravel the subtle, enigmatic bonds that connect them.