O Último Dia de Lampião

Zé de Julião, Muito Além do Cangaço

The origins of "cangaço", armed brigands in the Northeast between 1935 and 1939, interviews with some survivors of the fighting, police and outlaws movement. Interspersed with testimonials, authentic sequences of films made in 1936 by Benjamin Abraham, an Arab peddler who managed to film the famous band of Virgulino Ferreira da Silva, the "Lampião".

Lampião, o Rei do Cangaço

A Lebanese photographer living in Brazil in the '30s manages to film the band of Lampião, a legendary Brazilian bandit.

A man seeks revenge after his sister get raped by an unknown foreign, identified only by scar and a missing finger. But his payback journey is a long way and bears its surprises.

In the time of the "cangaceiros" in the badlands of the Northeast of Brazil, the cruel Captain Galdino Ferreira and his band abduct the schoolteacher Olívia, expecting to receive a ransom for her. However, one of his men, Teodoro, falls in love and flees with her through the arid backcountry chased by the brigands.

Aroeira

'Bruce' goes to head with bandits who are terrorising and murdering villagers.

On the day of Pedro Boiadeiro's wedding, a band of cangaceiros who survived the Angicos massacre invade his home, then proceed to beat him up, and abuse and murder his wife. Pedro sets out to get revenge on each one.

Romantic biography of Maria Bonita, daughter of a poor farmer who was kidnapped by Lampião and became his lover.

After the proclamation of the Republic, a group of fanatics in the sertão dreamed of and fought for the restoration of the Monarchy. At that bloody time, Fabiano, a quiet boy, becomes a cangaceiro and is attacked by the police. Although wounded, he manages to take refuge on a farm where he is hidden in by Lúcia, the farmer's daughter, with whom he falls in love.

Brazil, the 1920s. The sadistic colonel Minas massacres the hometown of a famous cangaceiro (a kind of revolutionary bandit). The only survivor is a young farmer called Espedito; he is nursed back to health by a hermit who thinks he has been sent by God and therefore baptizes him the Redeemer. Espedito/The Redeemer forms his own gang of cangaceiros but doesn’t really understand what he’s doing until he befriends the proverbial European intellectual, a Dutch Oil prospector, who introduces him to important people. Espedito is hired by the Dutchman and a corrupt local governor, but then the Dutchman changes sides …

This is a remake of Brazil's first international success in the cinema world. Just as its same name predecessor was, this film is a fictional version of the story of the "cangaceiros." These were bandits who sacked towns and spread terror throughout Northeastern Brazil in the 1930s. This group of outlaws is led by Captain Galdino and his wife Maria Bonita.

Based on the novel by Franklin Távora, the film follows the adventures of a father and a son in 18th century Brazil.

1950s Soho beats with far more energy than its 21st century counterpart in this vivid time capsule.

It is difficult to characterize Slobodan Tišma. He is unique and versatile. He wanders with joy throughout the artistic landscape, drawing it with his words since the early sixties. He started as a poet, he was a conceptualist, an "invisible artist" and a rock musician ("Luna"/"La Strada"- former Yugoslav New Wave bands). Currently, he is a prose writer, and sometimes he engages in minimalistic performances. Wearing different masks he moved from one artistic space to another breaking the stereotypes and creating an aesthetic phenomenon out of his own existence. His mainstay is margin. Through trees and ocean he communicates with the universe. He loves the game of seeking, and hiding again. He is a persistent walker. With his silent steps he pops up daily in the corners of Novi Sad, searching for his own pleasure. Similar to his writings, this film has no formal completeness and comprehensiveness. It wonders who Slobodan Tišma is.

Stéphane had an accident which made him disabled. While he's having a very long recovery, he meets Carolina, a yoga teacher. This discipline, which helps him get his body back, changes his life. Stéphane is now in a personal quest. Here starts his journey.

In 2007, five-piece rock and roll band I Like Trains were the toast of the music industry. They were signed to a major label and playing sold out tours around the world. A Divorce Before Marriage picks up the story five years later where, due to the decline of the music industry and a change in their fortune, the band are now in a very different position. Suddenly I Like Trains find themselves lost in a very different musical landscape as jobs, family and life start to take over, forcing them to question their childhood dreams and ambitions. Told over a period of 4 years, this is a coming of age story about a band stuck in the middle.

The Pulitzer at 100, by Oscar and Emmy winning director Kirk Simon, is a ninety-minute independent documentary released in conjunction with the Pulitzer Centennial in April 2016. This film is told through the riveting stories of the artists that have won the prestigious prize. With Pulitzer work read by Helen Mirren, Natalie Portman, Liev Schreiber, John Lithgow and Yara Shahidi; journalists include Carl Bernstein, Nick Kristof, Thomas Friedman, and David Remnick; authors include Toni Morrison, Michael Chabon, Junot Díaz, Tony Kushner, and Ayad Akhtar; and musicians Wynton Marsalis, David Crosby, and John Adams also share their stories.

At the world's only ballet school for the blind, located in Sao Paolo, Brazil, a prima ballerina and her teen protege boldly take on the unique challenges of their visual impairments to develop new forms of self-expression through dance.