Cangaceiros de Lampião

Homens com Cheiro de Flor

In the time of the "cangaceiros" in the badlands of the Northeast of Brazil, the cruel Captain Galdino Ferreira and his band abduct the schoolteacher Olívia, expecting to receive a ransom for her. However, one of his men, Teodoro, falls in love and flees with her through the arid backcountry chased by the brigands.

Aroeira

After the proclamation of the Republic, a group of fanatics in the sertão dreamed of and fought for the restoration of the Monarchy. At that bloody time, Fabiano, a quiet boy, becomes a cangaceiro and is attacked by the police. Although wounded, he manages to take refuge on a farm where he is hidden in by Lúcia, the farmer's daughter, with whom he falls in love.

This is a remake of Brazil's first international success in the cinema world. Just as its same name predecessor was, this film is a fictional version of the story of the "cangaceiros." These were bandits who sacked towns and spread terror throughout Northeastern Brazil in the 1930s. This group of outlaws is led by Captain Galdino and his wife Maria Bonita.

Brazil, the 1920s. The sadistic colonel Minas massacres the hometown of a famous cangaceiro (a kind of revolutionary bandit). The only survivor is a young farmer called Espedito; he is nursed back to health by a hermit who thinks he has been sent by God and therefore baptizes him the Redeemer. Espedito/The Redeemer forms his own gang of cangaceiros but doesn’t really understand what he’s doing until he befriends the proverbial European intellectual, a Dutch Oil prospector, who introduces him to important people. Espedito is hired by the Dutchman and a corrupt local governor, but then the Dutchman changes sides …

A man seeks revenge after his sister get raped by an unknown foreign, identified only by scar and a missing finger. But his payback journey is a long way and bears its surprises.

'Bruce' goes to head with bandits who are terrorising and murdering villagers.

Romantic biography of Maria Bonita, daughter of a poor farmer who was kidnapped by Lampião and became his lover.

Scenes from the daily life of Virgulino Ferreira da Silva—the cangaceiro leader Lampião—and his group, captured by cinematographer Benjamin Abrahão. Their survival strategies in the sertão landscape, their gestures, habits, clothing, and diet are illustrated. Proud of their status, the group's main members are shown displaying their weapons and combat skills in the caatinga. Maria Bonita and Lampião appear in moments of tension and relaxation, highlighting the harmony of the band and, above all, the rigors of life as a cangaceiro. (Cinemateca Brasileira)

A docufiction film about the fall of Virgulino Ferreira da Silva, widely known as Lampião – the mythical bandit leader from the Brazilian northeast who fought the local power and put his name in history.

Based on the novel by Franklin Távora, the film follows the adventures of a father and a son in 18th century Brazil.

A Lebanese photographer living in Brazil in the '30s manages to film the band of Lampião, a legendary Brazilian bandit.

Zé de Julião, Muito Além do Cangaço

The origins of "cangaço", armed brigands in the Northeast between 1935 and 1939, interviews with some survivors of the fighting, police and outlaws movement. Interspersed with testimonials, authentic sequences of films made in 1936 by Benjamin Abraham, an Arab peddler who managed to film the famous band of Virgulino Ferreira da Silva, the "Lampião".

Calango Lengo, from the northeast, has to fulfill his destiny, without having anything to put on his plate. In drought there is no other luck: to live fleeing death, as the mouse flees from the cat.

On the hunt to find the pieces of a medallion that can end the demonic control over Earth, Taryn is forced to go through time to save the future.

After leaving the authorities, Captain Krasnov opens his own detective agency. And the first large client is the wife of a very prominent person in business circles, the beautiful Anna Frain, who suffers from partial memory loss. Anna turns to Krasnov with a non-standard request — to film her life on a video camera and show the footage the next day, which, according to her doctor, will help restore her memory. In this case, it is necessary to observe all confidentiality measures. By agreeing to take on this business, Krasnov falls into a masterfully placed trap.