Zé de Julião, Muito Além do Cangaço

The origins of "cangaço", armed brigands in the Northeast between 1935 and 1939, interviews with some survivors of the fighting, police and outlaws movement. Interspersed with testimonials, authentic sequences of films made in 1936 by Benjamin Abraham, an Arab peddler who managed to film the famous band of Virgulino Ferreira da Silva, the "Lampião".

Lampião, o Rei do Cangaço

A docufiction film about the fall of Virgulino Ferreira da Silva, widely known as Lampião – the mythical bandit leader from the Brazilian northeast who fought the local power and put his name in history.

A man seeks revenge after his sister get raped by an unknown foreign, identified only by scar and a missing finger. But his payback journey is a long way and bears its surprises.

This is a remake of Brazil's first international success in the cinema world. Just as its same name predecessor was, this film is a fictional version of the story of the "cangaceiros." These were bandits who sacked towns and spread terror throughout Northeastern Brazil in the 1930s. This group of outlaws is led by Captain Galdino and his wife Maria Bonita.

'Bruce' goes to head with bandits who are terrorising and murdering villagers.

In the time of the "cangaceiros" in the badlands of the Northeast of Brazil, the cruel Captain Galdino Ferreira and his band abduct the schoolteacher Olívia, expecting to receive a ransom for her. However, one of his men, Teodoro, falls in love and flees with her through the arid backcountry chased by the brigands.

Brazil, the 1920s. The sadistic colonel Minas massacres the hometown of a famous cangaceiro (a kind of revolutionary bandit). The only survivor is a young farmer called Espedito; he is nursed back to health by a hermit who thinks he has been sent by God and therefore baptizes him the Redeemer. Espedito/The Redeemer forms his own gang of cangaceiros but doesn’t really understand what he’s doing until he befriends the proverbial European intellectual, a Dutch Oil prospector, who introduces him to important people. Espedito is hired by the Dutchman and a corrupt local governor, but then the Dutchman changes sides …

Based on the novel by Franklin Távora, the film follows the adventures of a father and a son in 18th century Brazil.

A Lebanese photographer living in Brazil in the '30s manages to film the band of Lampião, a legendary Brazilian bandit.

Romantic biography of Maria Bonita, daughter of a poor farmer who was kidnapped by Lampião and became his lover.

On the day of Pedro Boiadeiro's wedding, a band of cangaceiros who survived the Angicos massacre invade his home, then proceed to beat him up, and abuse and murder his wife. Pedro sets out to get revenge on each one.

After the proclamation of the Republic, a group of fanatics in the sertão dreamed of and fought for the restoration of the Monarchy. At that bloody time, Fabiano, a quiet boy, becomes a cangaceiro and is attacked by the police. Although wounded, he manages to take refuge on a farm where he is hidden in by Lúcia, the farmer's daughter, with whom he falls in love.

Aroeira

"Arkansas is one of the worst places to be a renter in America. It is the only state in the US where tenants are treated as criminals for paying rent late and landlords are not required by law to maintain their properties. "Its failure-to-vacate law lets landlords give tenants a 10-day eviction notice if they are even one day overdue. Tenants who can't or won't leave within that span face fines for every day they remain on the property and up to 90 days in jail. "This makes things difficult for the third of Arkansas's residents who are renters and have legitimate concerns about the properties they are occupying. The combination of failure-to-vacate and the lack of warranty of habitability make it almost impossible for tenants to challenge their landlords for legitimate reasons. It's estimated that criminal evictions occur everyday in Arkansas, resulting in over 2000 failure-to-vacate cases being filed each year."

In 1987, a team of outsiders attempt to break a hallowed baseball record in a desperate bid for fame, fortune, and careers in the major leagues. Even if they succeed, no athlete can play forever — and what comes after the death of a dream?

A meditation on the human quest to transcend physicality, constructed from decaying archival footage and set to an original symphonic score.

An intimate and moving meditation on the late musician and artist Kurt Cobain, based on more than 25 hours of previously unheard audiotaped interviews conducted with Cobain by noted music journalist Michael Azerrad for his book "Come As You Are: The Story of Nirvana." In the film, Kurt Cobain recounts his own life - from his childhood and adolescence to his days of musical discovery and later dealings with explosive fame - and offers often piercing insights into his life, music, and times. The conversations heard in the film have never before been made public, and they reveal a highly personal portrait of an artist much discussed but not particularly well understood.

This film is the result of more than two years of work tracking down archive material and witnesses close to Mobutu in Africa, Europe and the U.S. More than 950 hours of footage have been seen by the world. Among the 104 hours selected as the basis for this film, are 30 hours of archives recently discovered in Kinshasa and never before released. Completing these exceptional documents, are more than 50 hours of interviews with those close to the former president and the events surrounding his reign, conducted by the director in Kinshasa, Brussels, Paris and Washington. Like a vast historical puzzle, this film pieces together the tragic history of a country, and its self-styled leader - the dictator, Mobutu Sese Seko, "King of Zaïre".

Robert Altman's life and career contained multitudes. This father of American independent cinema left an indelible mark, not merely on the evolution of his art form, but also on the western zeitgeist. With its use of rare interviews, representative film clips, archival images, and musings from his family and most recognizable collaborators, Altman is a dynamic and heartfelt mediation on an artist whose expression, passion and appetite knew few bounds.