The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
Pounding backbeats beaten by [(Don't Get)] warm[welcomes]th.
Tipper performed an All Original set of his own ambient music at the Chapel of Sacred Mirrors. 150 blessed souls braved the snow, and attended from as far away as Salt Lake City for this occasion. Alex and Allyson Grey painted live, and Johnathan Singer presented this Visual Manipulation of their work in real time with Tipper. This is the re-creation of their performance together that one amazing night... please enjoy!
Dislocation in time, time signatures, time as a philosophical concept, and slavery to time are some of the themes touched upon in this 9-minute experimental film, which was written, directed, and produced by Jim Henson. Screened for the first time at the Museum of Modern Art in May of 1965, "Time Piece" enjoyed an eighteen-month run at one Manhattan movie theater and was nominated for an Academy Award for Outstanding Short Subject.
Creeping from the halls of the maze brain, corruption and terror is woven by devils born from the denied errors of mankind.
A promotional video by Dag Henderson
Your raging romp results only in rescinded regret @ the hands of radder cadets.
Part of a collection of restored early works by Nam June Paik, the haunting Beatles Electronique reveals Paik's engagement with manipulation of pop icons and electronic images. Snippets of footage from A Hard Day's Night are countered with Paik's early electronic processing.
La Maison en Petits Cubes tells the story of a grandfather's memories as he adds more blocks to his house to stem the flooding waters.
A poetic, semi-autobiographical short film of the sun setting over a village, shot from behind the curtains of a small, dimly lit room.
SEELE orders an all-out attack on NERV, aiming to destroy the Evas before Gendo can advance his own plans for the Human Instrumentality Project. Shinji is pushed to the limits of his sanity as he is forced to decide the fate of humanity.
An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
"We Go Past Future" is an experimental paper collage film by Anna Malina. The film reimagines a series of Soviet films from 1919 to 1953, blending them into a unique visual narrative.
A short, silent, experimental film created by avant-garde created by Ukranian-born artist, Anna Malina.
A film in which the one 60-story skyscraper that soars in the spaces between roofs spins with incredible speed. I centered the circumference with its 400 or 500 meter radius on the skyscraper and divided it into 48 sections, then took photographs from those spots and shot the photographs frame by frame.
I turned my gaze to the various events in daily life and made this filmic diary in a manner as if confessing my feelings. Of course, since I was making the film, I wanted to depict these feelings and events with tricky techniques. I used various methods to shoot photographs of a relative's wedding, the landscape I see from window of my house, commemorative travel photographs and the like frame-by-frame.
Rather pointless, rather stilted, fetid; not what we want us going after.
Some fun in the sun. Part 3 of The Glue Trilogy.
Idiosyncratic composer, unique musician and ground-breaking film director…..Frank Zappa packed more into his short lifetime than most men would manage in two. His restless, challenging, creative spirit meant that he never stood still during a career that bought huge critical and commercial success – Zappa sold more than 60 million albums both as a solo artist and with the Mothers of Invention. The life and work of Frank Zappa are examined in this superb new critical review, which features new in-depth interviews with industry insiders, rock journalists and respected critics plus highlights from the songs that re-drew the face of rock music.
Halloween, New York City, 1981 Live at The Palladium with Ray White, Steve Vai, Bobby Martin, Tommy Mars, Ed Mann, Scott Thunes, Chad Wackerman