Quelé do Pajeú

A Lebanese photographer living in Brazil in the '30s manages to film the band of Lampião, a legendary Brazilian bandit.

In the time of the "cangaceiros" in the badlands of the Northeast of Brazil, the cruel Captain Galdino Ferreira and his band abduct the schoolteacher Olívia, expecting to receive a ransom for her. However, one of his men, Teodoro, falls in love and flees with her through the arid backcountry chased by the brigands.

On the day of Pedro Boiadeiro's wedding, a band of cangaceiros who survived the Angicos massacre invade his home, then proceed to beat him up, and abuse and murder his wife. Pedro sets out to get revenge on each one.

This is a remake of Brazil's first international success in the cinema world. Just as its same name predecessor was, this film is a fictional version of the story of the "cangaceiros." These were bandits who sacked towns and spread terror throughout Northeastern Brazil in the 1930s. This group of outlaws is led by Captain Galdino and his wife Maria Bonita.

Brazil, the 1920s. The sadistic colonel Minas massacres the hometown of a famous cangaceiro (a kind of revolutionary bandit). The only survivor is a young farmer called Espedito; he is nursed back to health by a hermit who thinks he has been sent by God and therefore baptizes him the Redeemer. Espedito/The Redeemer forms his own gang of cangaceiros but doesn’t really understand what he’s doing until he befriends the proverbial European intellectual, a Dutch Oil prospector, who introduces him to important people. Espedito is hired by the Dutchman and a corrupt local governor, but then the Dutchman changes sides …

After the proclamation of the Republic, a group of fanatics in the sertão dreamed of and fought for the restoration of the Monarchy. At that bloody time, Fabiano, a quiet boy, becomes a cangaceiro and is attacked by the police. Although wounded, he manages to take refuge on a farm where he is hidden in by Lúcia, the farmer's daughter, with whom he falls in love.

Based on the novel by Franklin Távora, the film follows the adventures of a father and a son in 18th century Brazil.

Romantic biography of Maria Bonita, daughter of a poor farmer who was kidnapped by Lampião and became his lover.

Aroeira

'Bruce' goes to head with bandits who are terrorising and murdering villagers.

The origins of "cangaço", armed brigands in the Northeast between 1935 and 1939, interviews with some survivors of the fighting, police and outlaws movement. Interspersed with testimonials, authentic sequences of films made in 1936 by Benjamin Abraham, an Arab peddler who managed to film the famous band of Virgulino Ferreira da Silva, the "Lampião".

A docufiction film about the fall of Virgulino Ferreira da Silva, widely known as Lampião – the mythical bandit leader from the Brazilian northeast who fought the local power and put his name in history.

Lampião, o Rei do Cangaço

Zé de Julião, Muito Além do Cangaço

Comedy series set in the kitchen of a country house hotel, following the trials and tribulations of head chef Roland White and his long suffering sous chef Bib.

Five former Spanish spies, who, decades ago, participated in a secret operation in Colombia, are assassinated at the same time in different parts of the world.

It tells how 14 characters travel in a mysterious vehicle that they cannot easily get out of. Along the way, they fabricate about their identity and travel through unreal landscapes on a journey between life and death, sleep and wakefulness. According to the synopsis, "a tragicomedy with no certainties".

MOTHER and DAUGHTER are left alone in the house to navigate the grief of SON’s unnatural disappearance. As they slowly start descending into delirium, DAUGHTER tries to emulate behavioural traits of he brother, where as MOTHER starts talking to the LIGHT. It becomes DAUGHTER’s responsibility to stop mother from meeting the same fate as SON while dealing with her sorrows.

A miserable couple, Claire and Mark, struggles through their marriage while “feeling like something is not quite right in their reality.”