Firing Flares @ Unnoticed Glares

As a family struggles to survive in rural isolation during the Great Depression, their daughter's secret affair begins a journey into the unknown.

On the Clickity-clack Express it's clear I'm always under duress, unless I forget.

Rather pointless, rather stilted, fetid; not what we want us going after.

A 'reversal' of Jean-Léon Gérôme's 1872 painting Pollice Verso.

1 minute experimental film.

Beyond all human restraint lies one's lugubrious layers of paint.

Shot in the abandoned buildings of Gary, Indiana and the cornfields of Western Illinois, The Twenty-One Lives of Billy the Kid presents a fractured historical narrative without any real protagonist, one in which the titular character goes mostly unseen - Billy the Kid as the always-off-screen assailant, as a ghost’s laugh, as a shadow on the road.

Radical recurrences & rancorous requests raze my daze.

Onward, upward, greener [redder] grasstures.

Hiding inside&out, writhing about, taken out&in.

Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.

Return to 'burn' only to find out you're already in that urn.

(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.

From a small cabin in the mountains of New York, Nina Breeder and Massimilian Breeder begin a journey across the United States. California is just the initial destination, but just as the edge of the surrounding landscape expands, so does their ultimate destination. A contemplation of nature and time along a raw journey in the American landscape.

I really hope this is well-received. I really hope there's some sort of reprieve.

Two men. Friends? Enemies? Lovers? Brothers? One is nothing, success or failure depends on two.

A psychedelic montage of home movie footage gives way to a silent western story.

Calangros: Um faroeste sobre o terceiro mundo

Shot on 16mm celluloid across parts of New Zealand and Samoa, interdisciplinary artist Sam Hamilton’s ten-part experimental magnum opus makes thought-provoking connections between life on Earth and the cosmos, and, ultimately, art and science. Structured around the ten most significant celestial bodies of the Milky Way, Apple Pie’s inquiry begins with the furthest point in our solar system, Pluto, as a lens back towards our home planet and the ‘mechanisms by which certain aspects of scientific knowledge are digested, appropriated and subsequently manifest within the general human complex’. Christopher Francis Schiel’s dry, functional narration brings a network of ideas about our existence into focus, while Hamilton’s visual tableaux, as an extension of his multifaceted practice, veer imaginatively between psychedelic imagery and performance art.

This is a mix of documentary and fiction. Making of the project carried out by the producer ALVOROÇO FILMES with the support of the MUNICIPAL MUNICIPAL DE ALVORADA and SMED.