Shot in the abandoned buildings of Gary, Indiana and the cornfields of Western Illinois, The Twenty-One Lives of Billy the Kid presents a fractured historical narrative without any real protagonist, one in which the titular character goes mostly unseen - Billy the Kid as the always-off-screen assailant, as a ghost’s laugh, as a shadow on the road.
As a family struggles to survive in rural isolation during the Great Depression, their daughter's secret affair begins a journey into the unknown.
Beyond all human restraint lies one's lugubrious layers of paint.
Return to 'burn' only to find out you're already in that urn.
(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.
Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.
Hiding inside&out, writhing about, taken out&in.
On the Clickity-clack Express it's clear I'm always under duress, unless I forget.
I really hope this is well-received. I really hope there's some sort of reprieve.
A 'reversal' of Jean-Léon Gérôme's 1872 painting Pollice Verso.
1 minute experimental film.
Rather pointless, rather stilted, fetid; not what we want us going after.
Radical recurrences & rancorous requests raze my daze.
Onward, upward, greener [redder] grasstures.
From a small cabin in the mountains of New York, Nina Breeder and Massimilian Breeder begin a journey across the United States. California is just the initial destination, but just as the edge of the surrounding landscape expands, so does their ultimate destination. A contemplation of nature and time along a raw journey in the American landscape.
Two men. Friends? Enemies? Lovers? Brothers? One is nothing, success or failure depends on two.
A psychedelic montage of home movie footage gives way to a silent western story.
Calangros: Um faroeste sobre o terceiro mundo
An experimental film comprised of Stanley Kubrick's THE SHINING played forwards and backwards at the same time on the same screen, creating bizarre juxtapositions and startling synchronicities
The Dadaist, an eccentric creature who embodies the concept of the 20th century European avant-garde art movement Dadaism, destroys and mocks art pieces such as Leonardo Da Vinci’s Mona Lisa, whilst expressing his impulsive fury at logic and reason.