Firing Flares @ Unnoticed Glares

Two men. Friends? Enemies? Lovers? Brothers? One is nothing, success or failure depends on two.

As a family struggles to survive in rural isolation during the Great Depression, their daughter's secret affair begins a journey into the unknown.

From a small cabin in the mountains of New York, Nina Breeder and Massimilian Breeder begin a journey across the United States. California is just the initial destination, but just as the edge of the surrounding landscape expands, so does their ultimate destination. A contemplation of nature and time along a raw journey in the American landscape.

A psychedelic montage of home movie footage gives way to a silent western story.

Rather pointless, rather stilted, fetid; not what we want us going after.

Shot in the abandoned buildings of Gary, Indiana and the cornfields of Western Illinois, The Twenty-One Lives of Billy the Kid presents a fractured historical narrative without any real protagonist, one in which the titular character goes mostly unseen - Billy the Kid as the always-off-screen assailant, as a ghost’s laugh, as a shadow on the road.

Beyond all human restraint lies one's lugubrious layers of paint.

Radical recurrences & rancorous requests raze my daze.

Calangros: Um faroeste sobre o terceiro mundo

Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.

A 'reversal' of Jean-Léon Gérôme's 1872 painting Pollice Verso.

1 minute experimental film.

I really hope this is well-received. I really hope there's some sort of reprieve.

Onward, upward, greener [redder] grasstures.

Return to 'burn' only to find out you're already in that urn.

Hiding inside&out, writhing about, taken out&in.

(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.

On the Clickity-clack Express it's clear I'm always under duress, unless I forget.

This is the only feature directed by the famed French painter and sculptor Martial Raysse. In keeping with the revolutionary spirit of the time, the movie has no plot to speak of and appears to have been largely made up on the spot. We follow the cat man into a bizarre fantasy universe presented in negative exposure that reverses color values (black is white and vice versa) and written words. The cat man steals a car and then picks up a young girl he promises to take to “Heaven.” Heaven turns out to be a country chateau inhabited by several more animal mask wearing weirdoes...

In 1967, experimental filmmaker Jorgen Leth created a striking short film, The Perfect Human, starring a man and women sitting in a box while a narrator poses questions about their relationship and humanity. Years later, Danish director Lars von Trier made a deal with Leth to remake his film five times, each under a different set of circumstances and with von Trier's strictly prescribed rules. As Leth completes each challenge, von Trier creates increasingly further elaborate stipulations.