From a small cabin in the mountains of New York, Nina Breeder and Massimilian Breeder begin a journey across the United States. California is just the initial destination, but just as the edge of the surrounding landscape expands, so does their ultimate destination. A contemplation of nature and time along a raw journey in the American landscape.
A psychedelic montage of home movie footage gives way to a silent western story.
As a family struggles to survive in rural isolation during the Great Depression, their daughter's secret affair begins a journey into the unknown.
Two men. Friends? Enemies? Lovers? Brothers? One is nothing, success or failure depends on two.
Onward, upward, greener [redder] grasstures.
Hiding inside&out, writhing about, taken out&in.
(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.
Return to 'burn' only to find out you're already in that urn.
On the Clickity-clack Express it's clear I'm always under duress, unless I forget.
A 'reversal' of Jean-Léon Gérôme's 1872 painting Pollice Verso.
Shot in the abandoned buildings of Gary, Indiana and the cornfields of Western Illinois, The Twenty-One Lives of Billy the Kid presents a fractured historical narrative without any real protagonist, one in which the titular character goes mostly unseen - Billy the Kid as the always-off-screen assailant, as a ghost’s laugh, as a shadow on the road.
Calangros: Um faroeste sobre o terceiro mundo
Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.
Radical recurrences & rancorous requests raze my daze.
I really hope this is well-received. I really hope there's some sort of reprieve.
Rather pointless, rather stilted, fetid; not what we want us going after.
1 minute experimental film.
Beyond all human restraint lies one's lugubrious layers of paint.
Benjamina Miyar Díaz (1888-1961) led an unusual life in her house on calle del Agua in Corao, Asturias, at the foot of the Picos de Europa mountain range in northern Spain: she was a photographer and watchmaker for more than forty years, but she also fought in her own humble and heroic way against General Franco's dictatorship.
First film by Julio Bressane shot in exile, "Memoirs" is a film about a man who repeatedly kills the same type of woman in same places, the same way. Filmed on the streets of London.