(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.
A 'reversal' of Jean-Léon Gérôme's 1872 painting Pollice Verso.
Onward, upward, greener [redder] grasstures.
I really hope this is well-received. I really hope there's some sort of reprieve.
Hiding inside&out, writhing about, taken out&in.
Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.
Rather pointless, rather stilted, fetid; not what we want us going after.
On the Clickity-clack Express it's clear I'm always under duress, unless I forget.
Radical recurrences & rancorous requests raze my daze.
Two men. Friends? Enemies? Lovers? Brothers? One is nothing, success or failure depends on two.
As a family struggles to survive in rural isolation during the Great Depression, their daughter's secret affair begins a journey into the unknown.
From a small cabin in the mountains of New York, Nina Breeder and Massimilian Breeder begin a journey across the United States. California is just the initial destination, but just as the edge of the surrounding landscape expands, so does their ultimate destination. A contemplation of nature and time along a raw journey in the American landscape.
1 minute experimental film.
Return to 'burn' only to find out you're already in that urn.
Beyond all human restraint lies one's lugubrious layers of paint.
Shot in the abandoned buildings of Gary, Indiana and the cornfields of Western Illinois, The Twenty-One Lives of Billy the Kid presents a fractured historical narrative without any real protagonist, one in which the titular character goes mostly unseen - Billy the Kid as the always-off-screen assailant, as a ghost’s laugh, as a shadow on the road.
A psychedelic montage of home movie footage gives way to a silent western story.
Calangros: Um faroeste sobre o terceiro mundo
A documentary with the three cinematographers known for breaking away cinema away from celluloid with the introduction of digital video.
Avant-garde homage to pre-revolution Russian silent movies, and to the poet Aleksandr Blok.