Hope This Goes Over Well/Living in an Empty World

A 'reversal' of Jean-Léon Gérôme's 1872 painting Pollice Verso.

Onward, upward, greener [redder] grasstures.

Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.

(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.

Two men. Friends? Enemies? Lovers? Brothers? One is nothing, success or failure depends on two.

As a family struggles to survive in rural isolation during the Great Depression, their daughter's secret affair begins a journey into the unknown.

A psychedelic montage of home movie footage gives way to a silent western story.

Beyond all human restraint lies one's lugubrious layers of paint.

From a small cabin in the mountains of New York, Nina Breeder and Massimilian Breeder begin a journey across the United States. California is just the initial destination, but just as the edge of the surrounding landscape expands, so does their ultimate destination. A contemplation of nature and time along a raw journey in the American landscape.

Shadows frighten what one oughtn't be gripping (that thing before/hind you).

Return to 'burn' only to find out you're already in that urn.

1 minute experimental film.

Hiding inside&out, writhing about, taken out&in.

Rather pointless, rather stilted, fetid; not what we want us going after.

Radical recurrences & rancorous requests raze my daze.

Calangros: Um faroeste sobre o terceiro mundo

Shot in the abandoned buildings of Gary, Indiana and the cornfields of Western Illinois, The Twenty-One Lives of Billy the Kid presents a fractured historical narrative without any real protagonist, one in which the titular character goes mostly unseen - Billy the Kid as the always-off-screen assailant, as a ghost’s laugh, as a shadow on the road.

On the Clickity-clack Express it's clear I'm always under duress, unless I forget.

A reality show star leaves her family's TV show fame and unknowingly joins a supernatural cult.

Director Lee Jun-ik is one of the most diligent and fastest directors. He doesn't even walk on set. He runs more than the youngest staff member. He is busy with all his life and he makes an offer to him. Don't leave the motel room you use as your dorm for a day when there's no filming.