This Cacophony Runs Over Me

Abandoning the Abaddon-loathed abandoner opens plenty of reclaimed... everything(s).

It's time the times met each other over & over.

Don't ask me why, but I feel we're about to cry trying.

Roda Viva Roda Brasil

Part of a collection of restored early works by Nam June Paik, the haunting Beatles Electronique reveals Paik's engagement with manipulation of pop icons and electronic images. Snippets of footage from A Hard Day's Night are countered with Paik's early electronic processing.

A poetic, semi-autobiographical short film of the sun setting over a village, shot from behind the curtains of a small, dimly lit room.

Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.

The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.

Centrist revelations abound among repetitions & revisitings.

Pounding backbeats beaten by [(Don't Get)] warm[welcomes]th.

Slowed, stowed, achingly retold.

Your raging romp results only in rescinded regret @ the hands of radder cadets.

Hiding inside&out, writhing about, taken out&in.

This fantastical movie inspired by the music of Michael Jackson features imaginative interpretations of hit tracks from the iconic 1987 album “Bad”.

A short film recounting the travels of a lonely astronaut confronted by the unknown. Unfolding as a mystery, it becomes a carefully subtle, autobiographical examination of the feeling of loneliness and the existential issue of not understanding life on earth and ones place among it.

Rather pointless, rather stilted, fetid; not what we want us going after.

An animated film made from approximately 1700 laser printed photo(collage)s, manipulated by hand.

Return to 'burn' only to find out you're already in that urn.

(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.

Adopting mainly hand contact printing with photographic enlarger, «Metaphysics of sound» started from September of 2006 and completed in July of 2007. With a 35mm soundtrack image, I made a hand-drawn soundtrack on the 16mm film strip. The sounds were made either by directly contact printing the 35mm sound tracks or collaging the scratch images. According to pattern of sound on the 20% blank of 16mm film strip (normally used as space for optical recording), I edited whole image and made structure of film. Hence the margin is a where image is sound, and vice versa. Later, I studied the sound patterns which varied according to the kinds of images used or the concentration of the image, and made various attempts at rearranging the structure of the sound with the image.