1 minute experimental film.
Platitudes begin at peaks then rapidly descend and dismantle in order to ascend more acutely until they repeatedly and successively overwhelm.
Time plods along in spattered irregularities as anger and depression coalesce in confusing amalgamations.
Trite, closed memories flagrantly bleed into profuse openings mixed & held together by retaliatory colorations & obfuscations.
Scroll][Stop{{Scroll}}Stop/}{~Scrollllllll
3 minute experimental film.
'It was in San Francisco at a punk festival. I was already high and the air was so thick in the rooms that you could cut it with a knife. I had a photograph camera with me; I stood in a corner of the entrance hall and took 36 pictures on slide film. At home I put the slides into a slide projector. I took out the lens and filmed the slides by filming directly from the projector - using single frames according to a certain plan.'
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
Lights flicker & fade as focus shifts from artificial to natural light, ending on a second artificial light speeding through the blackened miasma of the night sky.
Sourced entirely from YouTube, converted and edited using Windows Media Maker. A comprehensive list of video credits is available at pointnever.com Root Strata, 2009 Pro-duplicated DVD-R in a slimline DVD case with translucent colour cover and transparent insert. Limited to 250 copies.
Gaining ideology from their last album Disco Volodar, the short film uses the core theme of space. The short film is filmed at Unit 3 Regents Trading Estate, the usual area for Sounds From The Other City. Using the philosophy of avante garde pioneer Maya Deren ‘one must at least begin with the body feeling’, the films opening is of the four piece standing atop of the hill in the Pendle countryside. This quickly melts into a warped reality and lands you into the POV of a camera and trapped in a liminal space where you see a band in session.
A 'reversal' of Jean-Léon Gérôme's 1872 painting Pollice Verso.
An experimental film from Jirí Lehovec, mixing the sound process with animated rhythms.
Lines align during acclimated apexes, shadowy vertices, and bright burrows.
A film that places the bright and dark sides of life close together. From an understatement beginning, the movie drives up to an ecstatic highlight with a love act between two young people. The orgasm becomes an enormous image flow into the crematorium's death machine.
Shortly before his death, Romitelli together with his friend Paolo Pachini and the poetess Kenka Lèkovich, resurrected the dream of a total scenic art (a furnace of sensations, they called it, an_ initiation rite_) in the manner of the Futurists: rhythms and gleams of light striking metals (for the video part), poems in iron and chrome singing of fusion with matter (Kenka Lekovich), acoustic/electric music highly amplified, filtered, spatialised, in as artificial a manner as possible. An Index of Metals bears vigorous witness to this determination to go beyond: sizzling orchestration, electric and psychedelic; a voice which plays on effects, murmurs with reverb, cackles into a megaphone, screams like a pop star; and an electric guitar score of a kind that no ‘serious’ composer has ever written, sliding across an infinite range of tones with a lightness of touch and blurring of contours.
Return to 'burn' only to find out you're already in that urn.
Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.
The Kuwaiti short film العاصفة (The Storm) explores Kuwait's social and economic shifts before and after the discovery of oil. Through the perspectives of an older father and his modernized son, it delves into the challenges of tradition versus rapid modernization.
A poetic, semi-autobiographical short film of the sun setting over a village, shot from behind the curtains of a small, dimly lit room.