20 minute experimental film.
7 minute experimental film.
1 minute experimental film.
4 minute experimental film.
Perception becomes reality, forcing reality to lose perception, crash, and burn.
"a feeling of listlessness and dissatisfaction arising from a lack of occupation or excitement."
5 minute experimental film.
REMIXXX'd is the execution of the director's 8 previous works thru simultaneity.
3 minute experimental film.
10 minute experimental film.
Tones rise and fall as images replicate and reorder, dizzying, nauseating -- vexing.
6 minute experimental film.
Like a Wave in the Sea
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
"River ice sets the scene for Judy Garland's international cri de coeur. It's hard to understate the amount of anxiety created by a Vice President who usurped authority for eight years to start wars and wreck the economy and then sidled off to Wyoming to be a retired 'hero of the right.' Impunity is not just the stuff of autocratic dictatorships in the third world. The American form of impunity is going to get us all killed."
Moonwalker is a 1988 American experimental anthology musical film starring Michael Jackson. Rather than featuring one continuous narrative, the film expresses the influence of fandom and innocence through a collection of short films about Jackson, some of which are long-form music videos from Jackson's 1987 album Bad. The film is named after his famous dance, "the moonwalk", which he originally learned as "the backslide" but perfected the dance into something no one had seen before. The movie's introduction is a type of music video for Jackson's "Man in the Mirror" but is not the official video for the song. The film then expresses a montage of Michael's career, which leads into a parody of his Bad video titled "Badder", followed by sections "Speed Demon" and "Leave Me Alone". What follows is the biggest section where Michael plays a hero with magical powers and saves three children from Mr. Big. This section is "Smooth Criminal" which leads into a performance of "Come Together".
A surreal musical comedy set in a world where the avant-garde and the mainstream are reversed.
A collectively made filmic opera in 35 parts. The Black and predominantly queer art collective, an evolving line up of poets and artists from across the world, abstracts and reimagines opera in any traditional conception. Set to hip-hop, blues, noise, R&B and electronica, the piece uses the voice (chanting, singing, screaming; written by poet and activist Dawn Lundy Martin) as its primary tool, verbalising centuries of alienation, vulnerability and protest in the global African diaspora through its disruptive libretto.