O Último Dia de Lampião

Zé de Julião, Muito Além do Cangaço

Scenes from the daily life of Virgulino Ferreira da Silva—the cangaceiro leader Lampião—and his group, captured by cinematographer Benjamin Abrahão. Their survival strategies in the sertão landscape, their gestures, habits, clothing, and diet are illustrated. Proud of their status, the group's main members are shown displaying their weapons and combat skills in the caatinga. Maria Bonita and Lampião appear in moments of tension and relaxation, highlighting the harmony of the band and, above all, the rigors of life as a cangaceiro. (Cinemateca Brasileira)

The origins of "cangaço", armed brigands in the Northeast between 1935 and 1939, interviews with some survivors of the fighting, police and outlaws movement. Interspersed with testimonials, authentic sequences of films made in 1936 by Benjamin Abraham, an Arab peddler who managed to film the famous band of Virgulino Ferreira da Silva, the "Lampião".

In the time of the "cangaceiros" in the badlands of the Northeast of Brazil, the cruel Captain Galdino Ferreira and his band abduct the schoolteacher Olívia, expecting to receive a ransom for her. However, one of his men, Teodoro, falls in love and flees with her through the arid backcountry chased by the brigands.

On the day of Pedro Boiadeiro's wedding, a band of cangaceiros who survived the Angicos massacre invade his home, then proceed to beat him up, and abuse and murder his wife. Pedro sets out to get revenge on each one.

Romantic biography of Maria Bonita, daughter of a poor farmer who was kidnapped by Lampião and became his lover.

This is a remake of Brazil's first international success in the cinema world. Just as its same name predecessor was, this film is a fictional version of the story of the "cangaceiros." These were bandits who sacked towns and spread terror throughout Northeastern Brazil in the 1930s. This group of outlaws is led by Captain Galdino and his wife Maria Bonita.

Brazil, the 1920s. The sadistic colonel Minas massacres the hometown of a famous cangaceiro (a kind of revolutionary bandit). The only survivor is a young farmer called Espedito; he is nursed back to health by a hermit who thinks he has been sent by God and therefore baptizes him the Redeemer. Espedito/The Redeemer forms his own gang of cangaceiros but doesn’t really understand what he’s doing until he befriends the proverbial European intellectual, a Dutch Oil prospector, who introduces him to important people. Espedito is hired by the Dutchman and a corrupt local governor, but then the Dutchman changes sides …

Based on the novel by Franklin Távora, the film follows the adventures of a father and a son in 18th century Brazil.

After the proclamation of the Republic, a group of fanatics in the sertão dreamed of and fought for the restoration of the Monarchy. At that bloody time, Fabiano, a quiet boy, becomes a cangaceiro and is attacked by the police. Although wounded, he manages to take refuge on a farm where he is hidden in by Lúcia, the farmer's daughter, with whom he falls in love.

'Bruce' goes to head with bandits who are terrorising and murdering villagers.

A man seeks revenge after his sister get raped by an unknown foreign, identified only by scar and a missing finger. But his payback journey is a long way and bears its surprises.

A Lebanese photographer living in Brazil in the '30s manages to film the band of Lampião, a legendary Brazilian bandit.

Aroeira

In an era marked by an oversaturated video market, a leader must emerge to challenge the boundaries of what is considered normal, and show the way for generations to come. There is one single team in snowboarding that has led the charge in progressing the level of riding, defining the formula that all others have since tried to duplicate. That team is the Forum team, and the time for THAT team video is now.

Worn-down pavements, broken paving stones. Trees that jut out of the concrete, casting shadows on to crumbling façades. The centre of Tbilisi in the summer of 2013. Glimpses of side and main streets, over railings and under balconies, of an architectural cacophony. The voiceover spoken by Natja Brunckhorst reflects on the nature of streets and public spaces.

On the road of Master

Montreal Expos star catcher Gary Carter visits Japan to learn about the customs and traditions of baseball in the Far East. He also encounters other "foreign" baseball players he once played with in the MLB.

In 1996, electric cars began to appear on roads all over California. They were quiet and fast, produced no exhaust, and ran without gasoline... Ten years later, these cars were destroyed.

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