Firing Flares @ Unnoticed Glares

From a small cabin in the mountains of New York, Nina Breeder and Massimilian Breeder begin a journey across the United States. California is just the initial destination, but just as the edge of the surrounding landscape expands, so does their ultimate destination. A contemplation of nature and time along a raw journey in the American landscape.

(Some of us) Still run down the same [mental&emotional] streets we revered/reproached/replaced as children.

Two men. Friends? Enemies? Lovers? Brothers? One is nothing, success or failure depends on two.

Rather pointless, rather stilted, fetid; not what we want us going after.

I really hope this is well-received. I really hope there's some sort of reprieve.

A psychedelic montage of home movie footage gives way to a silent western story.

An attempt to transform a Roman Western into a Greek tragedy. The hero of Instructions for a Light and Sound Machine is easy to identify. Walking down the street unknowingly, he suddenly realizes that he is not only subject to the gruesome moods of several spectators but also at the mercy of the filmmaker.

As a family struggles to survive in rural isolation during the Great Depression, their daughter's secret affair begins a journey into the unknown.

Shot in the abandoned buildings of Gary, Indiana and the cornfields of Western Illinois, The Twenty-One Lives of Billy the Kid presents a fractured historical narrative without any real protagonist, one in which the titular character goes mostly unseen - Billy the Kid as the always-off-screen assailant, as a ghost’s laugh, as a shadow on the road.

On the Clickity-clack Express it's clear I'm always under duress, unless I forget.

Beyond all human restraint lies one's lugubrious layers of paint.

Onward, upward, greener [redder] grasstures.

Return to 'burn' only to find out you're already in that urn.

Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.

Hiding inside&out, writhing about, taken out&in.

Radical recurrences & rancorous requests raze my daze.

A 'reversal' of Jean-Léon Gérôme's 1872 painting Pollice Verso.

Calangros: Um faroeste sobre o terceiro mundo

1 minute experimental film.

A take it or leave it auteur-experimental fiction exercise: two women are monitoring their dreams, dreams that may of course also be stark naked reality, at least to the dreamers, as they come and they go like bubbles, rising, floating, bursting. A man appears out of nowhere. Poet Peter Laugesen co-wrote the script with Tom Elling, who was Lars von Trier's director of photography on "The Element of Crime".